This article takes as its starting point the frequency with which Ovid refers to his earlier works in his Tristia and Epistulae ex Ponto. Alongside his treatment of the Metamorphoses in the exile poetry, it is suggested that Ovid refers, on a number of occasions, to his Fasti and the progress he is making on it. He does so by using the incipit of his calendar poem, Tempora; this term is sometimes combined with signa (‘stars’), which are also mentioned in (...) the opening couplet of the Fasti. It is proposed that Ovid's attitude toward his Fasti changes over the course of his exile, during which time he is, at various junctures, editing his calendar, and that some of these changes are discernible in the exile poetry; they result in part from his entertaining the possibility of using his Fasti as leverage in securing a mitigation of his punishment. Poems discussed in detail are Tristia 1.1, 1.7, 2.547–52, 5.3; Epistulae ex Ponto 2.1, 4.8. (shrink)

Catalepton 10 is a unique survival from antiquity: it is the only parody of an entire poem to reach us, and is written in pure iambic trimeters, a near intractable metre. Addressed to Sabinus, an upstart muleteer, the poem launches a stinging attack at him, and draws attention to his status as a parvenu. It remains incredibly close to its charming model—Catullus 4 —in structural, lexical, stylistic and metrical terms, but rather different in purport. In attempting to reassess a number (...) of problems in the text of the poem, the textual critic ought largely to be guided by the relationship of Sabinus ille to its model, as it is clear that the author of Catalepton 10 was an incredibly close reader of the Catullan text and sought not only to imitate through parody but also to subvert and deflate his predecessor's poem. (shrink)

‘The tale of the Argonauts was among the most popular myths in Greek and Roman literature of all periods.’ There was, however, not inconsiderable variation in certain aspects of the narrative: in the inclusion or exclusion of entire episodes; in (un)expected divergences from more authoritative versions of the story; and in the details of minutiae. In the Argonautic choral odes of Seneca'sMedea(301–79 and 579–669), and in Valerius Flaccus’ incomplete epic, there is a conspicuous, learned engagement with much of the earlier (...) tradition that hints at versions of the myth which are divergent from those that the two poets privilege in their respective narratives. Such moments serve to assert the playwright's and the epicist's status asdocti poetae, and to engage the learned reader in a (re)negotiation of the tradition; at times, an awareness of a literary past seems to be given to particular characters too so as to heighten the reader's experience of the narrative—by a sort of prolepsis—as it unfolds. (shrink)

. Ill BERGSONS THEORY OF ART . . .141 THE PHILOSOPHY OF INTENSIVE MANIFOLDS I I CINDERS ..... 215 APPENDICES A. REFLECTIONS ON VIOLENCE . . 249 B. PLAN FOR A ...

Accepted quantum description is stochastic, yet history is nonstochastic, i.e., not representable by a probability distribution. Therefore ordinary quantum mechanics is unsuited to describe history. This is a limitation of the accepted quantum theory, rather than a failing of mechanics in general. To remove the limitation, it would be desirable to find a form of quantum mechanics that describes the future stochastically and the past nonstochastically. For this purpose it proves sufficient to introduce into quantum mechanics, by means of a (...) perfected formal correspondence, certain analogs of the classical initial-condition constants. Through the restoration of such parameters at the quantum level one accomplishes a natural accommodation of time anisotropy, wave-function reduction, and “event” description by quantum mechanical equations of motion alone, without the need for extra postulates (e.g., a projection postulate). This requires a complete restructuring of quantum measurement theory. (shrink)

Cognitive Development and Acquisition of Language.

"This is but an essay, incomplete, tentative--indeed, fumbling. I would ask for more attention to its outlook and technique or method than to its details, for the former come from me as a moral philosopher, which I am by profession, whereas the latter come from me as a moralist, which I am by conceit." -- From the Preface.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and (...) made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Brunner, Austin Farrer, W.M. Horton, Pierre Maury.

In poem 64 Catullus, as Fordyce points out in his edition , often has lines enclosed by a noun and its adjective, e.g.: 5 auratam optantes Colchis avertere pellem Very often, but not always, a syntactical unit is enclosed as well as the line. This is perhaps not surprising, considering the prevalence of punctuation at the end of the line in this poem. Nevertheless, an examination of the lines will show that when a noun and adjective1 enclose both line and (...) syntactical unit the fact that they enclose a syntactical unit can be regarded as a determinant of the word order. (shrink)

En colección pasiva. En colección pasiva.

In this second part of our paper abeta structure hypothesis is advanced, according to which all matter and the vacuum are composed solely of electrons. A direct connection is established between beta processes and nuclear forces. Physical implications of the formalism introduced in Part I are examined. Localized violation of the Heisenberg postulate opens extensive descriptive possibilities inaccessible to current field-derived theories. A weakness of the present attempt at “elementary” particle description is its incapacity to predict observed masses or spatial (...) extensions. This results from the particular (one-body) model employed, which posits an infinitely massive point “force center.” Improvements in the formulation of the relativistic many-body problem will be required to correct this shortcoming. In summary, our investigation reaffirms the logical sufficiency (surmised by Newton) of the elements of mechanics for describing the phenomena of nature. (shrink)

In preceding parts of this paper the possibility was examined of accomplishing the entirety of physical description by means of mechanics, without help from field-theoretical ideas. Apart from some easily obtained qualitative agreements with general descriptive features of nuclei and elementary particles, we were balked in this program by an inability to handle in purely mechanical terms the relativistic many-body problem. The present paper is addressed directly to the latter problem. No quantitative calculations are attempted, but three suggestions are made (...) — each of a quite radical nature — concerning the reformulation that will be necessary to restore mechanics to the mainstream of physics. (shrink)

Commentary on Tarkasaṅgraha of Annambhaṭṭa, active 17th century, treatise on the fundamentals of Nyaya philosophy.